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Don't Forget Your Bags

by Mia June

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  • Compact Disc (CD) + Digital Album

    My debut EP, Don't Forget Your Bags, available for a limited time in Australia!

    Cover Photo by Grace Sanders
    Graphics by me

    Includes unlimited streaming of Don't Forget Your Bags via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days

      $10 AUD or more 

     

  • Compact Disc (CD) + Digital Album

    Four panel CD wallet

    Includes unlimited streaming of Don't Forget Your Bags via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days
    Purchasable with gift card

      $8 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $5 USD  or more

     

1.
Melbourne 04:33
Old man god I like you cause you call me by the name I call myself A shortened version of a name that can’t be shortened well I wanna cry, cause I miss you Do I notice when you’re gone? It seems the space you occupy is the space where you belong I love your mum, but I don’t know her very well She speaks to me with kindness, she could easily bag and sell I might be you if I tried, but I would rather be myself I’ve learnt of myself all my life I can’t act all that well Eating in your yard with you feels like what I’ve been working towards So young and wise, so young and wise And so incurably bored My childhood moves to Melbourne, joins a cult and lives out in the bush I’m sane enough to put things off, or waiting for a pity push I’d rather be a Jesus freak than freak out over nothing at all If those things make you happy then we’d rather you be that than here Knew you when you were 18, to you then I've never felt so near If you’re alright, do you think I'll be fine? Do you think that? Do you think an old man of a God is worth the skin that's on your hands Old man god You see me as a foundation, but the groundworks not been laid yet I could scream that in a mans face, he’d say I never said that There must be a sign on my back, saying kiss me until I crack I can’t resist a love, I know one day I will regret that It's a love that can’t be healthy, the love I show myself But you hold me like i'm malleable, until I’m something else How do you hold me? But sitting in this calm with you feels like what I’ve been yearning for So young and wise, so young and wise And so incurably yours My childhood moves to Melbourne, joins a cult and lives out in the bush I’m sane enough to put things off, I’m waiting for that pity push I’d rather be a Jesus freak than freak out over nothing at all If those things make you happy then we’d rather you be that than here Knew you when you were 18, to you then I've never felt so near If you’re alright, do you think I'll be fine? Do you think that? Do you think that? Do you think that? Old man god Old man god Old man god
2.
The Wheel 02:52
You will never know, what it is to be the girl you need I’m wearing all my clothes, still I see myself so vividly In your arms, far from harm I’m always the first to know, I’m always the first to go Loves given me not much to show But cracking limbs, cracked lips An ache that is so distant from myself A shelf, of masculine that holds me down This is my house, its scary when its quiet I can’t tell if I liked having you around for sound The fool responds to the challenge of the turning of the wheel The sting of the unseen, the guilt that comes with coming clean If sedatives were what I was taking I felt the warmth, I wasn’t faking I can’t make sense of my intentions You’re too soft to teach a lesson The selfishness fills me with glee The hunger I feel feeds my greed Now only how I feel is real This is the turning of the wheel
3.
Cooking Oil 03:01
You cry I don’t understand your words as you are spitting them at me They land on my cheeks like cooking oil So thick, so warm, so sickly And as you scream I sit so still with guilt just sat upon my knee And when you’re done you say I’m the kindest to you Anyone has been I am so kind to you I am so kind to you I am so kind to you I am so kind I am so kind to you I am so kind to you I am so warm You cry I don’t understand your words as you are spitting them at me They land on my cheeks like cooking oil So thick, so warm, so sickly And as you scream I sit so still with guilt just sat upon my knee And when you’re done you say I’m the kindest to you Anyone has been I am so kind to you I am so kind to you I am so kind to you I am so warm I am so kind I am so warm I am so kind to you
4.
I feel myself leaving as I am still around Going home feels like a death sentence, as much as coming down does And I had planned to show you how I felt But you went home, cause you were tired You had good reason, its not new The way I was looking at you I suppose I was tired too I couldn’t say you hadn’t tried before But he was here, and now he’s not And I’ve been trying my best to think of myself more Been told I rush in, so naive, so loud about it Took my time, it seems my times too slow I’ll watch you go, my friend forever My freckled friend forever I had planned to show you how I felt But you went home, cause you were tired
5.
Dead 06:18
I wanted you to be the first, last, best one I wanted you, and I liked talking to your mum You could tell that she was cool back in the day, and to this one I wonder if she knew, you were a bad bad person And why would she hide that from me? I thought it stretched further than thinking I was pretty Why would you hide that from me? After letting me watch you indulging in all of my pity and the hearts of my friends Why would you hide that from me? All the wrong reasons were the ones I was leaving by I watched you fall peacefully from grace And the place that I held you no matter how ugly we’d be What a waste of that place What a waste of your place Oh, what a waste of that place What a waste of your place I hated you then cause I couldn’t kiss anyone else And I hate you still, cause I can’t love anyone else the way I loved you then So I, think about you now as if you’re dead I think about you now as if you’re dead I think about you now as if you’re dead But why can’t I just put the dead to rest?
6.
You’re just the same, lets carry our old blames Then swear to never speak of them again You could stay in that jail of sound that you’ve made Or we could walk through the city We could walk through the city Now that you’ve seen me Its like nobodys seen me I could kill those who’ve touched me, I want you to touch me Can’t we just be sixteen? Do I still count as clean? The softest sounds do leave your mouth I remember everything You remember everything

about

“Like many writers, I am mostly inspired by love–the formation and deterioration of it, and the process of discovering who I am through relationships, romantic or otherwise,” says Mia June, the 19-year-old singer/songwriter behind 2023’s Don’t Forget Your Bags. Her songs reach into the unconscious with this recurring theme: how the people we love come with us across the bridge between adolescence and adulthood–that precarious, tender, easy-to-bruise time of launch or perceived failure, when we are judged so often and harshly–shaping us by showing us who we are and who we are not.

Don’t Forget Your Bags is a symbol or a pun; the “bags” of the title are, of course, June’s baggage–the experiences that have created her. “Don’t forget your bags” is a thing one might say to oneself or one’s allies, in the vein of “Don’t forget who you are.” June’s baggage, scars, dreams, and memories are precious treasure; losing them would be like losing a map to one’s heart. These bags–and, by extension, June’s songs–stand as talismans, reminders of a journey and the wisdom gleamed along the way.

June hails from Perth, Western Australia, but was born in Wales, the household of her childhood soundtracked by her parents’ favorite Britpop bands. When her family relocated to Australia, June took singing lessons and picked up the guitar at age eight. By ten, she listed “releasing an album” at the top of a personal bucket list.

At the beginning of 2022, June took the leap into recording original music, releasing a series of singles that gained recognition from the likes of triple j, who praised her songwriting that “brims with emotion, storytelling, and intelligence.” She recruited a band and performed at a handful of regional festivals in addition to a national tour supporting Stella Donnelly.

June has gone from a dreamer to a fine plyer of songcraft; at the core of her lyrics is a cathartic release of emotion that she comes by with an honesty so raw as to be rarely heard. Don’t Forget Your Bags reads like pages of a journal faithfully kept over time as if flowers pressed within an unruly volume. Her own process of growing up has stood as a reservoir of inspiration, guiding her to craft lyrics from a place of vulnerability. She writes of young love and angst with the seriousness of immediacy; she speaks of learning about the kind of person you are as you age, watching your friends change and drift away or stand closer than ever.

Pre-release single “Melbourne” is a mesmerizing incantation, revealing the passage of time through the changes in the lives around you, while “Cooking Oil” brews with the alchemy of ire. “Freckled Friend Forever” is an ode to missed chances and unspoken yearnings–a gentle lullaby to love’s might-have-beens. These songs draw inspiration from luminaries like Fiona Apple, Big Thief, and Lucy Dacus, but resist comparison; they’re distinctly direct, not a recollection of what youth was like but a primary source that says this is what youth is like.

Now, June can check off that bucket list item with the release of her debut EP, Don’t Forget Your Bags, out 17 November 2023 via Father/Daughter Records.

credits

released November 17, 2023

Written by Mia June
Produced by Andy Lawson & Ezekiel Padmanabham
Mixed by Andy Lawson & Ezekiel Padmanabham
Mastered by William Bowden & Dan O’Connor

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Mia June Perth, Australia

heartfelt and honest indie rock from boorloo, western australia

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